Fujifilm G Lenses List

When Fujifilm introduced the G Mount in 2017 with the launch of the GFX 50S, it wasn’t just another camera system—it was a bold statement. The G Mount brought medium format photography to a broader audience, blending high-end image quality with a more portable and versatile system. As someone who has dabbled in medium format over the years, I can confidently say the Fujifilm G Mount is one of the most exciting developments in digital photography, bridging the gap between ultra-high-resolution cameras and practical usability.

What Is the Fujifilm G Mount?

The Fujifilm G Mount is the foundation of Fujifilm’s GFX system, which uses a medium format sensor measuring 43.8 x 32.9mm—approximately 1.7x larger than a standard full-frame sensor. This larger sensor size delivers unmatched image quality, with exceptional dynamic range, incredible detail, and smooth tonal transitions.

The G Mount was designed specifically for this sensor, with a flange distance of 26.7mm. This relatively short distance, combined with a large mount diameter, allows Fujifilm to design lenses that maximize the potential of the larger sensor while keeping the system relatively compact.

My Experience with the GFX System

I’ll be honest—when I first got my hands on the GFX 50S, I didn’t expect to fall in love with it. Medium format systems have historically been bulky, slow, and impractical for anything outside of a studio. But the GFX lineup shattered those expectations. The cameras feel familiar and surprisingly nimble, thanks to Fujifilm’s thoughtful design choices. Whether I’m shooting portraits, landscapes, or even handheld in low light, the GFX system delivers results that consistently blow me away.

G Mount Lenses: Quality Over Quantity

Fujifilm’s GF lenses are tailored to the G Mount and the medium format sensor, and the lineup reflects a philosophy of quality over quantity. Each lens is crafted to deliver the highest possible performance, with edge-to-edge sharpness, minimal distortion, and stunning color rendition. Some of my personal favorites include:

• GF 63mm f/2.8 R WR: A compact and versatile prime lens that’s perfect for general-purpose shooting. Its size makes it one of the most portable options in the lineup.
• GF 110mm f/2 R LM WR: A portrait lens that produces breathtaking bokeh and razor-sharp detail. This is a go-to for anyone serious about portraiture.
• GF 32-64mm f/4 R LM WR: A standard zoom lens that’s surprisingly versatile for landscapes, architecture, and travel. The constant f/4 aperture ensures consistent performance in various lighting conditions.
• GF 80mm f/1.7 R WR: A groundbreaking lens offering an ultra-fast aperture, perfect for creative depth-of-field effects.

Fujifilm has taken a meticulous approach to its GF lens lineup, ensuring every lens meets the exacting demands of medium format photography. While the selection isn’t as expansive as some full-frame systems, every lens feels purposeful and uncompromising.

GFX Cameras and the G Mount Ecosystem

The G Mount is used across Fujifilm’s GFX camera lineup, which includes models like the GFX 50S II, GFX 100, and GFX 100S. Each camera offers unique advantages, but all share the same commitment to delivering medium format quality in a more accessible package.

The GFX cameras also benefit from Fujifilm’s renowned Film Simulation modes, which bring a touch of analog magic to digital files. Using the G Mount system feels like working with a precision tool that’s deeply connected to Fujifilm’s photographic heritage.

Medium Format for the Real World

One of the most surprising aspects of the G Mount system is its adaptability. Medium format cameras were once restricted to studios or controlled environments, but Fujifilm has made them viable for real-world use. The cameras are weather-sealed, rugged, and easy to handle, even for handheld shooting. Features like in-body image stabilization (on models like the GFX 100S) make it possible to shoot medium format in scenarios where tripods were once mandatory.

As a landscape photographer, I’ve taken the GFX system into challenging environments, from windy seascapes to cold mountain trails. The images it produces feel more lifelike than anything I’ve captured with smaller sensor systems, with a level of depth and detail that’s hard to describe until you see it.

Challenges and Limitations

No system is perfect, and the G Mount has its quirks. The GF lenses, while extraordinary, are often large and expensive, making the system a serious investment. Autofocus, while improved in newer models, is not as fast or advanced as what you’d find in high-end full-frame mirrorless cameras, especially for fast-moving subjects.

The system also lacks some specialized lenses, like ultra-wide zooms or super-telephotos, which might limit its appeal for certain types of photography, such as wildlife or sports.

Why the G Mount Stands Out

For me, the Fujifilm G Mount represents what photography should be about: the pursuit of the best image quality possible. It’s not for everyone—if you need speed, compactness, or a broader lens selection, a full-frame or APS-C system might be a better fit. But if your priority is image quality, and you’re willing to work with a slightly larger system to achieve it, the GFX system is unparalleled.

Using the G Mount has changed how I approach photography. It’s made me slow down, consider each shot more carefully, and appreciate the craft in a way that smaller systems don’t always encourage. There’s something deeply rewarding about working with gear that prioritizes excellence over convenience.

Final Thoughts

The Fujifilm G Mount is more than a lens mount—it’s an invitation to experience medium format photography in a way that’s practical, accessible, and inspiring. Whether you’re a professional seeking the ultimate image quality or an enthusiast ready to take your craft to the next level, the GFX system is a gateway to photographic possibilities that few other systems can match. For me, it’s a reminder of why I fell in love with photography in the first place.