Meyer-Optik Gorlitz Trioplan 100mm f/2.8 II

Nikon Z (DX/FX)

Review

The Meyer-Optik Gorlitz Trioplan 100mm f/2.8 II is a modern take on a classic lens that has garnered a dedicated following among photographers. Not only does this lens carry the legacy of its predecessors, renowned for their unique character and distinctive bokeh, but it also embraces modern demands with its compatibility for the Nikon Z mount.

Build Quality and Design

Right out of the box, the Trioplan 100mm exhibits a robust build quality that feels substantial in hand. The all-metal construction offers a premium feel, and the vintage-style design is not only attractive but also functional. The focus ring is smooth and well-damped, allowing for precise manual focusing—a critical feature for macro and portrait photography, which this lens excels in. The lens is relatively compact for a 100mm and balances well with Nikon Z cameras, making it comfortable to use for extended periods.

Optical Performance

One of the standout features of the Trioplan 100mm f/2.8 II is its optical performance. It delivers sharp images with remarkable micro-contrast and excellent detail, particularly when stopped down. At f/2.8, the lens provides pleasing sharpness across most of the frame. However, the real charm of this lens lies in its unique bokeh—a hallmark of Trioplan optics. The 15-blade aperture creates swirling, creamy backgrounds that are particularly desirable for portraiture and artistic photography.

It's worth mentioning that the lens may exhibit some chromatic aberration and a hint of vignetting at wider apertures. Nonetheless, these characteristics can often add to the creative appeal, especially for those who appreciate a more vintage look. At higher ISO settings, for low-light conditions, the lens maintains a good level of performance, though images may soften slightly at its maximum aperture.

Autofocus and Usability

As a manual focus lens, the Trioplan 100mm f/2.8 II lacks modern autofocus capabilities, which may deter some users. This might not be a significant drawback for seasoned photographers who prefer manual control, but it's an important aspect to consider for those who rely on fast and accurate autofocus systems. The lens also features a minimum focusing distance of 0.9m, making it suitable for close-up work, though its slower focus acquisition compared to autofocus counterparts should be taken into account.

Pros and Cons

Pros

• Beautifully constructed with a vintage aesthetic.
• Exceptional creamy bokeh that enhances portrait and artistic shots.
• Sharpness and micro-contrast are impressive, especially when stopped down.
• Compact and lightweight design for a 100mm lens.
• Suitable for close-up photography with a minimum focusing distance of 0.9m.

Cons

• Lacks autofocus capabilities, which may be a drawback for some photographers.
• Some chromatic aberration and minor vignetting at wider apertures.
• Manual focus can be challenging in fast-paced shooting scenarios.

Verdict

Overall, the Meyer-Optik Gorlitz Trioplan 100mm f/2.8 II is a fascinating lens that marries classic optical design with modern usability. While the lack of autofocus may deter some, its unique bokeh and sharpness make it a compelling choice for those seeking to create distinctive images. Ideal for portrait photographers and those looking to explore creative effects, the Trioplan 100mm offers an artistic edge that few lenses can match. If you appreciate manual focus lenses and love the aesthetic appeal of vintage optics, this lens is definitely worth considering for your Nikon Z system.