Last update: November 25, 2024
Guide
If you’ve ever browsed camera lenses or looked at their specifications, you’ve probably encountered an “f” followed by a number, such as f/2.8 or f/4-5.6. This small yet significant detail plays a crucial role in understanding how lenses work and what they can do for your photography.
In this article, we’ll break down what the “f” means, how it affects your photos, and how to choose lenses based on this essential specification.
The “f” in camera lenses stands for f-stop, which is a measure of the lens’s aperture. The aperture is the adjustable opening inside the lens that controls how much light enters the camera. Think of it as the iris of the lens, similar to how the human eye’s pupil works.
The f-stop number is a ratio that compares the lens's focal length to the diameter of the aperture. For example, an f-stop of f/2 means the aperture's diameter is half the focal length of the lens.
The aperture size (and by extension, the f-stop) has a profound impact on three key aspects of photography:
The wider the aperture (smaller f-number), the more light reaches the camera sensor, resulting in a brighter image. Conversely, a narrow aperture (larger f-number) reduces the light and makes the image darker.
The aperture also determines how much of the image appears in focus. This is referred to as depth of field.
Lenses perform differently across their aperture range. Most lenses are sharpest when stopped down by a few f-stops from their widest aperture, typically around f/4-f/8.
Some lenses have a constant maximum aperture throughout their zoom range. For example, a 24-70mm f/2.8 lens can maintain f/2.8 at all focal lengths.
These lenses have a maximum aperture that changes depending on the focal length. For example, a 70-300mm f/4-5.6 lens starts with an f/4 aperture at 70mm but narrows to f/5.6 at 300mm.
When deciding which lens to buy, consider how the f-stop impacts your specific photography needs.
Wide apertures like f/1.4 or f/2 are excellent for creating beautiful subject isolation with creamy bokeh. A prime lens such as a 50mm f/1.8 is a popular choice.
Narrow apertures like f/8 to f/16 ensure everything in the scene is in focus. A wide-angle lens with sharp performance at smaller apertures is ideal.
Lenses with wide apertures, such as f/2.8 telephoto zooms, help freeze motion in low light and create subject separation.
The wider the maximum aperture, the better the lens performs in low-light conditions. Lenses like f/1.8 primes or f/2.8 zooms are essential for shooting in dim environments without a flash.
The maximum aperture of a lens significantly affects its cost. Lenses with wider apertures (e.g., f/1.2, f/1.4, or f/2.8) require more advanced engineering and larger glass elements, making them more expensive.
When I first started photography, I underestimated how much of a difference aperture could make. Over the years, I’ve learned that understanding and controlling the f-stop is one of the most powerful ways to shape your images.
For example, when shooting portraits, I rely heavily on my 85mm f/1.4 to create dreamy backgrounds. For landscapes, I typically stick to f/8-f/11 to ensure sharpness across the frame. Mastering aperture has transformed the way I approach photography.