Micro Four Thirds (MFT/M43) lenses list

7artisans 25mm F1.8

7artisans 25mm F1.8

25mm
Focal length
f1.8
Aperture
46mm
Filter diameter
51mm (2.01")
Diameter
143g (0.32lb)
Weight
18cm (7.09")
Min. focus dist.
7artisans 55mm F1.4

7artisans 55mm F1.4

55mm
Focal length
f1.4
Aperture
49mm
Filter diameter
54mm (2.13")
Diameter
272g (0.60lb)
Weight
35cm (13.78")
Min. focus dist.
7artisans 55mm F1.4 Mark II

7artisans 55mm F1.4 Mark II

55mm
Focal length
f1.4
Aperture
52mm
Filter diameter
60mm (2.36")
Diameter
358g (0.79lb)
Weight
42cm (16.54")
Min. focus dist.
7artisans 7.5mm F2.8 Fisheye

7artisans 7.5mm F2.8 Fisheye

7mm
Focal length
f2.8
Aperture
n/a
Filter diameter
63mm (2.48")
Diameter
275g (0.61lb)
Weight
15cm (5.91")
Min. focus dist.
Kamlan 28mm F1.4

Kamlan 28mm F1.4

28mm
Focal length
f1.4
Aperture
52mm
Filter diameter
55mm (2.17")
Diameter
384g (0.85lb)
Weight
25cm (9.84")
Min. focus dist.
Kamlan 50mm F1.1

Kamlan 50mm F1.1

50mm
Focal length
f1.1
Aperture
52mm
Filter diameter
60mm (2.36")
Diameter
248g (0.55lb)
Weight
50cm (19.69")
Min. focus dist.
Kamlan 50mm F1.1 II

Kamlan 50mm F1.1 II

50mm
Focal length
f1.1
Aperture
62mm
Filter diameter
72mm (2.83")
Diameter
600g (1.32lb)
Weight
40cm (15.75")
Min. focus dist.
Autofocus
OM System 12-40mm F2.8 PRO II

OM System 12-40mm F2.8 PRO II

12 - 40mm
Focal length
f2.8
Aperture
62mm
Filter diameter
70mm (2.76")
Diameter
382g (0.84lb)
Weight
20cm (7.87")
Min. focus dist.
Autofocus
OM System 40-150mm F4.0 PRO

OM System 40-150mm F4.0 PRO

40 - 150mm
Focal length
f4
Aperture
62mm
Filter diameter
69mm (2.72")
Diameter
382g (0.84lb)
Weight
70cm (27.56")
Min. focus dist.
Autofocus
OM System M.Zuiko Digital ED 20mm F1.4 Pro

OM System M.Zuiko Digital ED 20mm F1.4 Pro

20mm
Focal length
f1.4
Aperture
58mm
Filter diameter
63mm (2.48")
Diameter
247g (0.54lb)
Weight
25cm (9.84")
Min. focus dist.
Olympus 9mm F8 Fish-Eye Body Cap Lens

Olympus 9mm F8 Fish-Eye Body Cap Lens

9mm
Focal length
f8
Aperture
n/a
Filter diameter
56mm (2.20")
Diameter
30g (0.07lb)
Weight
20cm (7.87")
Min. focus dist.
Olympus Body Cap Lens 15mm F8.0

Olympus Body Cap Lens 15mm F8.0

15mm
Focal length
f8
Aperture
n/a
Filter diameter
56mm (2.20")
Diameter
22g (0.05lb)
Weight
30cm (11.81")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital 14-42mm 1:3.5-5.6 II

Olympus M.Zuiko Digital 14-42mm 1:3.5-5.6 II

14 - 42mm
Focal length
f3.5 - f5.6
Aperture
37mm
Filter diameter
57mm (2.24")
Diameter
112g (0.25lb)
Weight
25cm (9.84")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital 14-42mm 1:3.5-5.6 II R

Olympus M.Zuiko Digital 14-42mm 1:3.5-5.6 II R

14 - 42mm
Focal length
f3.5 - f5.6
Aperture
37mm
Filter diameter
57mm (2.24")
Diameter
112g (0.25lb)
Weight
25cm (9.84")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital 17mm 1:2.8 Pancake

Olympus M.Zuiko Digital 17mm 1:2.8 Pancake

17mm
Focal length
f2.8
Aperture
37mm
Filter diameter
57mm (2.24")
Diameter
71g (0.16lb)
Weight
20cm (7.87")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital 17mm F1.8

Olympus M.Zuiko Digital 17mm F1.8

17mm
Focal length
f1.8
Aperture
46mm
Filter diameter
58mm (2.28")
Diameter
120g (0.26lb)
Weight
25cm (9.84")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital 25mm F1.8

Olympus M.Zuiko Digital 25mm F1.8

25mm
Focal length
f1.8
Aperture
46mm
Filter diameter
56mm (2.20")
Diameter
136g (0.30lb)
Weight
24cm (9.45")
Min. focus dist.
OIS Autofocus
Olympus M.Zuiko Digital 300mm F4 IS Pro

Olympus M.Zuiko Digital 300mm F4 IS Pro

300mm
Focal length
f4
Aperture
77mm
Filter diameter
93mm (3.66")
Diameter
1270g (2.80lb)
Weight
140cm (55.12")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital 45mm F1.8

Olympus M.Zuiko Digital 45mm F1.8

45mm
Focal length
f1.8
Aperture
37mm
Filter diameter
56mm (2.20")
Diameter
116g (0.26lb)
Weight
50cm (19.69")
Min. focus dist.
OIS Autofocus
Olympus M.Zuiko Digital ED 100-400mm F5.0-6.3 IS

Olympus M.Zuiko Digital ED 100-400mm F5.0-6.3 IS

100 - 400mm
Focal length
f5 - f6.3
Aperture
72mm
Filter diameter
86mm (3.39")
Diameter
1120g (2.47lb)
Weight
17cm (6.69")
Min. focus dist.
OIS Autofocus
Olympus M.Zuiko Digital ED 12-100mm F4.0 IS Pro

Olympus M.Zuiko Digital ED 12-100mm F4.0 IS Pro

12 - 100mm
Focal length
f4
Aperture
72mm
Filter diameter
78mm (3.07")
Diameter
561g (1.24lb)
Weight
15cm (5.91")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital ED 12-200mm F3.5-6.3

Olympus M.Zuiko Digital ED 12-200mm F3.5-6.3

12 - 200mm
Focal length
f3.5 - f6.3
Aperture
72mm
Filter diameter
78mm (3.07")
Diameter
455g (1.00lb)
Weight
22cm (8.66")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital ED 12-40mm F2.8 Pro

Olympus M.Zuiko Digital ED 12-40mm F2.8 Pro

12 - 40mm
Focal length
f2.8
Aperture
62mm
Filter diameter
70mm (2.76")
Diameter
382g (0.84lb)
Weight
20cm (7.87")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital ED 12-45mm F4 Pro

Olympus M.Zuiko Digital ED 12-45mm F4 Pro

24 - 90mm
Focal length
f4
Aperture
58mm
Filter diameter
63mm (2.48")
Diameter
254g (0.56lb)
Weight
12cm (4.72")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital ED 12-50mm 1:3.5-6.3 EZ

Olympus M.Zuiko Digital ED 12-50mm 1:3.5-6.3 EZ

12 - 50mm
Focal length
f3.5 - f6.3
Aperture
52mm
Filter diameter
57mm (2.24")
Diameter
211g (0.47lb)
Weight
20cm (7.87")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital ED 12mm 1:2

Olympus M.Zuiko Digital ED 12mm 1:2

12mm
Focal length
f2
Aperture
46mm
Filter diameter
56mm (2.20")
Diameter
130g (0.29lb)
Weight
20cm (7.87")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital ED 14-150mm 1:4-5.6

Olympus M.Zuiko Digital ED 14-150mm 1:4-5.6

14 - 150mm
Focal length
f4 - f5.6
Aperture
58mm
Filter diameter
64mm (2.52")
Diameter
280g (0.62lb)
Weight
50cm (19.69")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital ED 14-150mm F4-5.6 II

Olympus M.Zuiko Digital ED 14-150mm F4-5.6 II

14 - 150mm
Focal length
f4 - f5.6
Aperture
58mm
Filter diameter
64mm (2.52")
Diameter
285g (0.63lb)
Weight
50cm (19.69")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital ED 14-42mm 1:3.5-5.6

Olympus M.Zuiko Digital ED 14-42mm 1:3.5-5.6

14 - 42mm
Focal length
f3.5 - f5.6
Aperture
40.5mm
Filter diameter
62mm (2.44")
Diameter
150g (0.33lb)
Weight
25cm (9.84")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital ED 14-42mm F3.5-5.6 EZ

Olympus M.Zuiko Digital ED 14-42mm F3.5-5.6 EZ

14 - 42mm
Focal length
f3.5 - f5.6
Aperture
37mm
Filter diameter
61mm (2.40")
Diameter
91g (0.20lb)
Weight
25cm (9.84")
Min. focus dist.
OIS Autofocus
Olympus M.Zuiko Digital ED 150-400mm F4.5 TC 1.25x IS PRO

Olympus M.Zuiko Digital ED 150-400mm F4.5 TC 1.25x IS PRO

150 - 400mm
Focal length
f4.5
Aperture
95mm
Filter diameter
116mm (4.57")
Diameter
1875g (4.13lb)
Weight
130cm (51.18")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital ED 17mm F1.2 Pro

Olympus M.Zuiko Digital ED 17mm F1.2 Pro

17mm
Focal length
f1.2
Aperture
62mm
Filter diameter
68mm (2.68")
Diameter
390g (0.86lb)
Weight
20cm (7.87")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital ED 25mm F1.2 Pro

Olympus M.Zuiko Digital ED 25mm F1.2 Pro

25mm
Focal length
f1.2
Aperture
62mm
Filter diameter
70mm (2.76")
Diameter
410g (0.90lb)
Weight
19cm (7.48")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital ED 30mm F3.5 Macro

Olympus M.Zuiko Digital ED 30mm F3.5 Macro

30mm
Focal length
f3.5
Aperture
46mm
Filter diameter
57mm (2.24")
Diameter
128g (0.28lb)
Weight
10cm (3.94")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital ED 40-150mm 1:4-5.6

Olympus M.Zuiko Digital ED 40-150mm 1:4-5.6

40 - 150mm
Focal length
f4 - f5.6
Aperture
58mm
Filter diameter
64mm (2.52")
Diameter
190g (0.42lb)
Weight
90cm (35.43")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital ED 40-150mm F2.8 Pro

Olympus M.Zuiko Digital ED 40-150mm F2.8 Pro

40 - 150mm
Focal length
f2.8
Aperture
72mm
Filter diameter
79mm (3.11")
Diameter
880g (1.94lb)
Weight
70cm (27.56")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital ED 40-150mm F4-5.6 R

Olympus M.Zuiko Digital ED 40-150mm F4-5.6 R

40 - 150mm
Focal length
f4 - f5.6
Aperture
58mm
Filter diameter
64mm (2.52")
Diameter
190g (0.42lb)
Weight
90cm (35.43")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital ED 45mm F1.2 Pro

Olympus M.Zuiko Digital ED 45mm F1.2 Pro

45mm
Focal length
f1.2
Aperture
62mm
Filter diameter
70mm (2.76")
Diameter
410g (0.90lb)
Weight
50cm (19.69")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital ED 60mm F2.8 Macro

Olympus M.Zuiko Digital ED 60mm F2.8 Macro

60mm
Focal length
f2.8
Aperture
46mm
Filter diameter
56mm (2.20")
Diameter
186g (0.41lb)
Weight
19cm (7.48")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital ED 7-14mm F2.8 PRO

Olympus M.Zuiko Digital ED 7-14mm F2.8 PRO

7 - 14mm
Focal length
f2.8
Aperture
n/a
Filter diameter
79mm (3.11")
Diameter
534g (1.18lb)
Weight
20cm (7.87")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital ED 75-300mm 1:4.8-6.7

Olympus M.Zuiko Digital ED 75-300mm 1:4.8-6.7

75 - 300mm
Focal length
f4.8 - f6.7
Aperture
58mm
Filter diameter
70mm (2.76")
Diameter
430g (0.95lb)
Weight
90cm (35.43")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital ED 75mm F1.8

Olympus M.Zuiko Digital ED 75mm F1.8

75mm
Focal length
f1.8
Aperture
58mm
Filter diameter
64mm (2.52")
Diameter
305g (0.67lb)
Weight
84cm (33.07")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital ED 8-25mm F4 Pro

Olympus M.Zuiko Digital ED 8-25mm F4 Pro

8 - 25mm
Focal length
f4
Aperture
72mm
Filter diameter
77mm (3.03")
Diameter
411g (0.91lb)
Weight
23cm (9.06")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital ED 8mm F1.8 Fisheye PRO

Olympus M.Zuiko Digital ED 8mm F1.8 Fisheye PRO

8mm
Focal length
f1.8
Aperture
n/a
Filter diameter
62mm (2.44")
Diameter
314g (0.69lb)
Weight
12cm (4.72")
Min. focus dist.
Autofocus
Olympus M.Zuiko Digital ED 9-18mm F4.0-5.6

Olympus M.Zuiko Digital ED 9-18mm F4.0-5.6

9 - 18mm
Focal length
f4 - f5.6
Aperture
52mm
Filter diameter
57mm (2.24")
Diameter
155g (0.34lb)
Weight
25cm (9.84")
Min. focus dist.
Autofocus
Olympus M.Zuiko ED 75-300mm 1:4.8-6.7 II

Olympus M.Zuiko ED 75-300mm 1:4.8-6.7 II

75 - 300mm
Focal length
f4.8 - f6.7
Aperture
58mm
Filter diameter
69mm (2.72")
Diameter
423g (0.93lb)
Weight
90cm (35.43")
Min. focus dist.
OIS Autofocus
Panasonic Leica DG Elmarit 200mm F2.8 Power OIS

Panasonic Leica DG Elmarit 200mm F2.8 Power OIS

200mm
Focal length
f2.8
Aperture
77mm
Filter diameter
88mm (3.46")
Diameter
1245g (2.74lb)
Weight
115cm (45.28")
Min. focus dist.
OIS Autofocus
Panasonic Leica DG Macro-Elmarit 45mm F2.8 ASPH OIS

Panasonic Leica DG Macro-Elmarit 45mm F2.8 ASPH OIS

45mm
Focal length
f2.8
Aperture
46mm
Filter diameter
63mm (2.48")
Diameter
225g (0.50lb)
Weight
15cm (5.91")
Min. focus dist.
OIS Autofocus
Panasonic Leica DG Nocticron 42.5mm F1.2 ASPH OIS

Panasonic Leica DG Nocticron 42.5mm F1.2 ASPH OIS

42mm
Focal length
f1.2
Aperture
67mm
Filter diameter
74mm (2.91")
Diameter
425g (0.94lb)
Weight
50cm (19.69")
Min. focus dist.
Autofocus
Panasonic Leica DG Summilux 15mm F1.7 ASPH

Panasonic Leica DG Summilux 15mm F1.7 ASPH

15mm
Focal length
f1.7
Aperture
46mm
Filter diameter
58mm (2.28")
Diameter
115g (0.25lb)
Weight
20cm (7.87")
Min. focus dist.
Autofocus
Panasonic Leica DG Summilux 25mm F1.4 II ASPH

Panasonic Leica DG Summilux 25mm F1.4 II ASPH

25mm
Focal length
f1.4
Aperture
46mm
Filter diameter
63mm (2.48")
Diameter
205g (0.45lb)
Weight
30cm (11.81")
Min. focus dist.
Autofocus
Panasonic Leica DG Summilux 9mm F1.7 ASPH

Panasonic Leica DG Summilux 9mm F1.7 ASPH

9mm
Focal length
f1.7
Aperture
55mm
Filter diameter
61mm (2.40")
Diameter
130g (0.29lb)
Weight
10cm (3.94")
Min. focus dist.
OIS Autofocus
Panasonic Leica DG Vario-Elmar 100-400mm F4.0-6.3 ASPH Power OIS

Panasonic Leica DG Vario-Elmar 100-400mm F4.0-6.3 ASPH Power OIS

100 - 400mm
Focal length
f4 - f6.3
Aperture
72mm
Filter diameter
83mm (3.27")
Diameter
985g (2.17lb)
Weight
130cm (51.18")
Min. focus dist.
OIS Autofocus
Panasonic Leica DG Vario-Elmarit 12-35mm F2.8 ASPH. POWER O.I.S.

Panasonic Leica DG Vario-Elmarit 12-35mm F2.8 ASPH. POWER O.I.S.

12 - 35mm
Focal length
f2.8
Aperture
58mm
Filter diameter
68mm (2.68")
Diameter
306g (0.67lb)
Weight
15cm (5.91")
Min. focus dist.
OIS Autofocus
Panasonic Leica DG Vario-Elmarit 12-60mm F2.8-4.0 ASPH Power OIS

Panasonic Leica DG Vario-Elmarit 12-60mm F2.8-4.0 ASPH Power OIS

12 - 60mm
Focal length
f2.8 - f4
Aperture
62mm
Filter diameter
68mm (2.68")
Diameter
320g (0.71lb)
Weight
20cm (7.87")
Min. focus dist.
OIS Autofocus
Panasonic Leica DG Vario-Elmarit 50-200mm F2.8-4.0 ASPH Power OIS

Panasonic Leica DG Vario-Elmarit 50-200mm F2.8-4.0 ASPH Power OIS

50 - 200mm
Focal length
f2.8 - f4
Aperture
67mm
Filter diameter
76mm (2.99")
Diameter
655g (1.44lb)
Weight
75cm (29.53")
Min. focus dist.
Autofocus
Panasonic Leica DG Vario-Elmarit 8-18mm F2.8-4.0 ASPH

Panasonic Leica DG Vario-Elmarit 8-18mm F2.8-4.0 ASPH

8 - 18mm
Focal length
f2.8
Aperture
67mm
Filter diameter
73mm (2.87")
Diameter
315g (0.69lb)
Weight
23cm (9.06")
Min. focus dist.
Autofocus
Panasonic Leica DG Vario-Summilux 10-25mm F1.7 ASPH

Panasonic Leica DG Vario-Summilux 10-25mm F1.7 ASPH

10 - 25mm
Focal length
f1.7
Aperture
77mm
Filter diameter
88mm (3.46")
Diameter
690g (1.52lb)
Weight
28cm (11.02")
Min. focus dist.
Autofocus
Panasonic Leica Summilux DG 25mm F1.4

Panasonic Leica Summilux DG 25mm F1.4

25mm
Focal length
f1.4
Aperture
46mm
Filter diameter
63mm (2.48")
Diameter
200g (0.44lb)
Weight
30cm (11.81")
Min. focus dist.
Autofocus
Panasonic Lumix G 12.5mm / F12

Panasonic Lumix G 12.5mm / F12

12mm
Focal length
f12
Aperture
n/a
Filter diameter
75mm (2.95")
Diameter
45g (0.10lb)
Weight
60cm (23.62")
Min. focus dist.
Autofocus
Panasonic Lumix G 14mm F2.5 ASPH

Panasonic Lumix G 14mm F2.5 ASPH

14mm
Focal length
f2.5
Aperture
46mm
Filter diameter
56mm (2.20")
Diameter
55g (0.12lb)
Weight
18cm (7.09")
Min. focus dist.
Autofocus
Panasonic Lumix G 14mm F2.5 II ASPH

Panasonic Lumix G 14mm F2.5 II ASPH

14mm
Focal length
f2.5
Aperture
46mm
Filter diameter
56mm (2.20")
Diameter
55g (0.12lb)
Weight
18cm (7.09")
Min. focus dist.
Autofocus
Panasonic Lumix G 20mm F1.7 ASPH

Panasonic Lumix G 20mm F1.7 ASPH

20mm
Focal length
f1.7
Aperture
46mm
Filter diameter
63mm (2.48")
Diameter
100g (0.22lb)
Weight
20cm (7.87")
Min. focus dist.
Autofocus
Panasonic Lumix G 20mm F1.7 II ASPH

Panasonic Lumix G 20mm F1.7 II ASPH

20mm
Focal length
f1.7
Aperture
46mm
Filter diameter
63mm (2.48")
Diameter
87g (0.19lb)
Weight
20cm (7.87")
Min. focus dist.
Autofocus
Panasonic Lumix G 25mm F1.7 ASPH

Panasonic Lumix G 25mm F1.7 ASPH

25mm
Focal length
f1.7
Aperture
46mm
Filter diameter
61mm (2.40")
Diameter
125g (0.28lb)
Weight
25cm (9.84")
Min. focus dist.
OIS Autofocus
Panasonic Lumix G 42.5mm F1.7 ASPH Power OIS

Panasonic Lumix G 42.5mm F1.7 ASPH Power OIS

42mm
Focal length
f1.7
Aperture
37mm
Filter diameter
55mm (2.17")
Diameter
130g (0.29lb)
Weight
31cm (12.20")
Min. focus dist.
Autofocus
Panasonic Lumix G Fisheye 8mm F3.5

Panasonic Lumix G Fisheye 8mm F3.5

8mm
Focal length
f3.5
Aperture
n/a
Filter diameter
61mm (2.40")
Diameter
165g (0.36lb)
Weight
10cm (3.94")
Min. focus dist.
Autofocus
Panasonic Lumix G Leica DG Summilux 12mm F1.4 ASPH

Panasonic Lumix G Leica DG Summilux 12mm F1.4 ASPH

12mm
Focal length
f1.4
Aperture
62mm
Filter diameter
70mm (2.76")
Diameter
335g (0.74lb)
Weight
20cm (7.87")
Min. focus dist.
OIS Autofocus
Panasonic Lumix G Macro 30mm F2.8 ASPH Mega OIS

Panasonic Lumix G Macro 30mm F2.8 ASPH Mega OIS

30mm
Focal length
f2.8
Aperture
46mm
Filter diameter
59mm (2.32")
Diameter
180g (0.40lb)
Weight
11cm (4.33")
Min. focus dist.
OIS Autofocus
Panasonic Lumix G Vario 100-300mm F4-5.6 II Power OIS

Panasonic Lumix G Vario 100-300mm F4-5.6 II Power OIS

100 - 300mm
Focal length
f4 - f5.6
Aperture
67mm
Filter diameter
74mm (2.91")
Diameter
520g (1.15lb)
Weight
150cm (59.06")
Min. focus dist.
OIS Autofocus
Panasonic Lumix G Vario 100-300mm F4-5.6 OIS

Panasonic Lumix G Vario 100-300mm F4-5.6 OIS

100 - 300mm
Focal length
f4 - f5.6
Aperture
67mm
Filter diameter
74mm (2.91")
Diameter
520g (1.15lb)
Weight
150cm (59.06")
Min. focus dist.
OIS Autofocus
Panasonic Lumix G Vario 12-60mm F3.5-5.6 ASPH Power OIS

Panasonic Lumix G Vario 12-60mm F3.5-5.6 ASPH Power OIS

12 - 60mm
Focal length
f3.5 - f5.6
Aperture
58mm
Filter diameter
66mm (2.60")
Diameter
210g (0.46lb)
Weight
20cm (7.87")
Min. focus dist.
OIS Autofocus
Panasonic Lumix G Vario 14-140mm F3.5-5.6 ASPH Power O.I.S

Panasonic Lumix G Vario 14-140mm F3.5-5.6 ASPH Power O.I.S

14 - 140mm
Focal length
f3.5 - f5.6
Aperture
58mm
Filter diameter
67mm (2.64")
Diameter
265g (0.58lb)
Weight
30cm (11.81")
Min. focus dist.
OIS Autofocus
Panasonic Lumix G Vario 14-140mm F3.5-5.6 II ASPH Power OIS

Panasonic Lumix G Vario 14-140mm F3.5-5.6 II ASPH Power OIS

14 - 140mm
Focal length
f3.5 - f5.6
Aperture
58mm
Filter diameter
67mm (2.64")
Diameter
265g (0.58lb)
Weight
30cm (11.81")
Min. focus dist.
OIS Autofocus
Panasonic Lumix G Vario 14-42mm F3.5-5.6 ASPH OIS

Panasonic Lumix G Vario 14-42mm F3.5-5.6 ASPH OIS

14 - 42mm
Focal length
f3.5 - f5.6
Aperture
52mm
Filter diameter
61mm (2.40")
Diameter
165g (0.36lb)
Weight
30cm (11.81")
Min. focus dist.
OIS Autofocus
Panasonic Lumix G Vario 14-42mm F3.5-5.6 II ASPH Mega OIS

Panasonic Lumix G Vario 14-42mm F3.5-5.6 II ASPH Mega OIS

14 - 42mm
Focal length
f3.5 - f5.6
Aperture
46mm
Filter diameter
56mm (2.20")
Diameter
110g (0.24lb)
Weight
20cm (7.87")
Min. focus dist.
OIS Autofocus
Panasonic Lumix G Vario 14-45mm F3.5-5.6 ASPH OIS

Panasonic Lumix G Vario 14-45mm F3.5-5.6 ASPH OIS

14 - 45mm
Focal length
f3.5 - f5.6
Aperture
52mm
Filter diameter
60mm (2.36")
Diameter
195g (0.43lb)
Weight
30cm (11.81")
Min. focus dist.
OIS Autofocus
Panasonic Lumix G Vario 35-100mm F4.0-5.6 ASPH Mega OIS

Panasonic Lumix G Vario 35-100mm F4.0-5.6 ASPH Mega OIS

35 - 100mm
Focal length
f4 - f5.6
Aperture
46mm
Filter diameter
56mm (2.20")
Diameter
135g (0.30lb)
Weight
90cm (35.43")
Min. focus dist.
OIS Autofocus
Panasonic Lumix G Vario 45-150mm F4-5.6 ASPH Mega OIS

Panasonic Lumix G Vario 45-150mm F4-5.6 ASPH Mega OIS

45 - 150mm
Focal length
f4 - f5.6
Aperture
52mm
Filter diameter
62mm (2.44")
Diameter
200g (0.44lb)
Weight
90cm (35.43")
Min. focus dist.
OIS Autofocus
Panasonic Lumix G Vario 45-200mm F4-5.6 II Power OIS

Panasonic Lumix G Vario 45-200mm F4-5.6 II Power OIS

45 - 200mm
Focal length
f4 - f5.6
Aperture
52mm
Filter diameter
70mm (2.76")
Diameter
370g (0.82lb)
Weight
100cm (39.37")
Min. focus dist.
OIS Autofocus
Panasonic Lumix G Vario 45-200mm F4-5.6 OIS

Panasonic Lumix G Vario 45-200mm F4-5.6 OIS

45 - 200mm
Focal length
f4 - f5.6
Aperture
52mm
Filter diameter
70mm (2.76")
Diameter
380g (0.84lb)
Weight
100cm (39.37")
Min. focus dist.
OIS Autofocus
Panasonic Lumix G Vario 7-14mm F4 ASPH

Panasonic Lumix G Vario 7-14mm F4 ASPH

7 - 14mm
Focal length
f4
Aperture
n/a
Filter diameter
70mm (2.76")
Diameter
300g (0.66lb)
Weight
25cm (9.84")
Min. focus dist.
OIS Autofocus
Panasonic Lumix G Vario HD 12-32mm F3.5-5.6 Mega OIS

Panasonic Lumix G Vario HD 12-32mm F3.5-5.6 Mega OIS

12 - 32mm
Focal length
f3.5 - f5.6
Aperture
37mm
Filter diameter
56mm (2.20")
Diameter
70g (0.15lb)
Weight
20cm (7.87")
Min. focus dist.
OIS Autofocus
Panasonic Lumix G Vario HD 14-140mm F4-5.8 OIS

Panasonic Lumix G Vario HD 14-140mm F4-5.8 OIS

14 - 140mm
Focal length
f4 - f5.8
Aperture
62mm
Filter diameter
70mm (2.76")
Diameter
460g (1.01lb)
Weight
50cm (19.69")
Min. focus dist.
OIS Autofocus
Panasonic Lumix G X Vario 12-35mm F2.8 ASPH Power OIS

Panasonic Lumix G X Vario 12-35mm F2.8 ASPH Power OIS

12 - 35mm
Focal length
f2.8
Aperture
58mm
Filter diameter
68mm (2.68")
Diameter
305g (0.67lb)
Weight
25cm (9.84")
Min. focus dist.
OIS Autofocus
Panasonic Lumix G X Vario 35-100mm F2.8 II Power OIS

Panasonic Lumix G X Vario 35-100mm F2.8 II Power OIS

35 - 100mm
Focal length
f2.8
Aperture
58mm
Filter diameter
67mm (2.64")
Diameter
357g (0.79lb)
Weight
85cm (33.46")
Min. focus dist.
OIS Autofocus
Panasonic Lumix G X Vario 35-100mm F2.8 OIS

Panasonic Lumix G X Vario 35-100mm F2.8 OIS

35 - 100mm
Focal length
f2.8
Aperture
58mm
Filter diameter
67mm (2.64")
Diameter
360g (0.79lb)
Weight
85cm (33.46")
Min. focus dist.
OIS Autofocus
Panasonic Lumix G X Vario PZ 14-42mm F3.5-5.6 ASPH OIS

Panasonic Lumix G X Vario PZ 14-42mm F3.5-5.6 ASPH OIS

14 - 42mm
Focal length
f3.5 - f5.6
Aperture
37mm
Filter diameter
61mm (2.40")
Diameter
95g (0.21lb)
Weight
20cm (7.87")
Min. focus dist.
OIS Autofocus
Panasonic Lumix G X Vario PZ 45-175mm F4.0-5.6 ASPH OIS

Panasonic Lumix G X Vario PZ 45-175mm F4.0-5.6 ASPH OIS

45 - 175mm
Focal length
f4 - f5.6
Aperture
46mm
Filter diameter
62mm (2.44")
Diameter
210g (0.46lb)
Weight
90cm (35.43")
Min. focus dist.
Samyang / Rokinon 100mm F2.8 Macro

Samyang / Rokinon 100mm F2.8 Macro

100mm
Focal length
f2.8
Aperture
67mm
Filter diameter
73mm (2.87")
Diameter
720g (1.59lb)
Weight
31cm (12.20")
Min. focus dist.
Samyang / Rokinon 10mm F2.8 ED AS NCS CS

Samyang / Rokinon 10mm F2.8 ED AS NCS CS

10mm
Focal length
f2.8
Aperture
n/a
Filter diameter
86mm (3.39")
Diameter
580g (1.28lb)
Weight
25cm (9.84")
Min. focus dist.
Samyang / Rokinon 12mm F2.0 NCS CS

Samyang / Rokinon 12mm F2.0 NCS CS

12mm
Focal length
f2
Aperture
67mm
Filter diameter
73mm (2.87")
Diameter
260g (0.57lb)
Weight
20cm (7.87")
Min. focus dist.
Samyang / Rokinon 135mm F2.0 ED UMC

Samyang / Rokinon 135mm F2.0 ED UMC

135mm
Focal length
f2
Aperture
77mm
Filter diameter
82mm (3.23")
Diameter
830g (1.83lb)
Weight
80cm (31.50")
Min. focus dist.
Samyang / Rokinon 16mm F2 ED AS UMC CS

Samyang / Rokinon 16mm F2 ED AS UMC CS

16mm
Focal length
f2
Aperture
77mm
Filter diameter
83mm (3.27")
Diameter
583g (1.29lb)
Weight
20cm (7.87")
Min. focus dist.
Samyang / Rokinon 21mm F1.4 ED AS UMC CS

Samyang / Rokinon 21mm F1.4 ED AS UMC CS

21mm
Focal length
f1.4
Aperture
58mm
Filter diameter
64mm (2.52")
Diameter
275g (0.61lb)
Weight
28cm (11.02")
Min. focus dist.
Samyang / Rokinon 50mm F1.2 ED AS UMC CS

Samyang / Rokinon 50mm F1.2 ED AS UMC CS

50mm
Focal length
f1.2
Aperture
62mm
Filter diameter
68mm (2.68")
Diameter
375g (0.83lb)
Weight
50cm (19.69")
Min. focus dist.
Samyang / Rokinon 7.5mm F3.5 UMC Fisheye MFT

Samyang / Rokinon 7.5mm F3.5 UMC Fisheye MFT

7mm
Focal length
f3.5
Aperture
n/a
Filter diameter
60mm (2.36")
Diameter
197g (0.43lb)
Weight
9cm (3.54")
Min. focus dist.
Samyang / Rokinon Reflex 300mm F6.3 ED UMC CS

Samyang / Rokinon Reflex 300mm F6.3 ED UMC CS

300mm
Focal length
f6.3
Aperture
25.5mm
Filter diameter
65mm (2.56")
Diameter
318g (0.70lb)
Weight
90cm (35.43")
Min. focus dist.
Samyang 20mm F1.8 ED AS UMC

Samyang 20mm F1.8 ED AS UMC

20mm
Focal length
f1.8
Aperture
77mm
Filter diameter
83mm (3.27")
Diameter
497g (1.10lb)
Weight
20cm (7.87")
Min. focus dist.
Samyang 35mm F1.2 ED AS UMC CS

Samyang 35mm F1.2 ED AS UMC CS

35mm
Focal length
f1.2
Aperture
62mm
Filter diameter
68mm (2.68")
Diameter
420g (0.93lb)
Weight
38cm (14.96")
Min. focus dist.
Samyang MF 14mm F2.8 Mk2 / Rokinon MF 14mm F2.8 II

Samyang MF 14mm F2.8 Mk2 / Rokinon MF 14mm F2.8 II

14mm
Focal length
f2.8
Aperture
n/a
Filter diameter
87mm (3.43")
Diameter
649g (1.43lb)
Weight
28cm (11.02")
Min. focus dist.
Samyang MF 85mm F1.4 Mk2 / Rokinon MF 85mm F1.4 II

Samyang MF 85mm F1.4 Mk2 / Rokinon MF 85mm F1.4 II

85mm
Focal length
f1.4
Aperture
72mm
Filter diameter
78mm (3.07")
Diameter
548g (1.21lb)
Weight
110cm (43.31")
Min. focus dist.
Autofocus
Sigma 16mm F1.4 DC DN | C

Sigma 16mm F1.4 DC DN | C

16mm
Focal length
f1.4
Aperture
67mm
Filter diameter
72mm (2.83")
Diameter
405g (0.89lb)
Weight
25cm (9.84")
Min. focus dist.
Autofocus
Sigma 19mm F2.8 DN Art

Sigma 19mm F2.8 DN Art

19mm
Focal length
f2.8
Aperture
46mm
Filter diameter
61mm (2.40")
Diameter
160g (0.35lb)
Weight
20cm (7.87")
Min. focus dist.
Autofocus
Sigma 19mm F2.8 EX DN

Sigma 19mm F2.8 EX DN

19mm
Focal length
f2.8
Aperture
46mm
Filter diameter
61mm (2.40")
Diameter
140g (0.31lb)
Weight
20cm (7.87")
Min. focus dist.
Autofocus
Sigma 30mm F1.4 DC DN | C

Sigma 30mm F1.4 DC DN | C

30mm
Focal length
f1.4
Aperture
52mm
Filter diameter
65mm (2.56")
Diameter
265g (0.58lb)
Weight
30cm (11.81")
Min. focus dist.
Autofocus
Sigma 30mm F2.8 DN Art

Sigma 30mm F2.8 DN Art

30mm
Focal length
f2.8
Aperture
46mm
Filter diameter
61mm (2.40")
Diameter
160g (0.35lb)
Weight
30cm (11.81")
Min. focus dist.
Autofocus
Sigma 30mm F2.8 EX DN

Sigma 30mm F2.8 EX DN

30mm
Focal length
f2.8
Aperture
46mm
Filter diameter
61mm (2.40")
Diameter
135g (0.30lb)
Weight
30cm (11.81")
Min. focus dist.
Autofocus
Sigma 60mm F2.8 DN Art

Sigma 60mm F2.8 DN Art

60mm
Focal length
f2.8
Aperture
46mm
Filter diameter
61mm (2.40")
Diameter
190g (0.42lb)
Weight
50cm (19.69")
Min. focus dist.
Autofocus
Tamron 14-150mm F/3.5-5.8 Di III

Tamron 14-150mm F/3.5-5.8 Di III

14 - 150mm
Focal length
f3.5 - f5.8
Aperture
52mm
Filter diameter
64mm (2.52")
Diameter
285g (0.63lb)
Weight
50cm (19.69")
Min. focus dist.
Tokina Reflex 300mm F6.3 MF Macro

Tokina Reflex 300mm F6.3 MF Macro

300mm
Focal length
f6.3
Aperture
55mm
Filter diameter
55mm (2.17")
Diameter
298g (0.66lb)
Weight
80cm (31.50")
Min. focus dist.
Tokina SZX Super Tele 400mm F8 Reflex MF

Tokina SZX Super Tele 400mm F8 Reflex MF

400mm
Focal length
f8
Aperture
67mm
Filter diameter
74mm (2.91")
Diameter
355g (0.78lb)
Weight
115cm (45.28")
Min. focus dist.
Venus Laowa 10mm F2 Zero-D MFT

Venus Laowa 10mm F2 Zero-D MFT

10mm
Focal length
f2
Aperture
46mm
Filter diameter
53mm (2.09")
Diameter
125g (0.28lb)
Weight
12cm (4.72")
Min. focus dist.
Venus Laowa 17mm F1.8

Venus Laowa 17mm F1.8

17mm
Focal length
f1.8
Aperture
46mm
Filter diameter
55mm (2.17")
Diameter
172g (0.38lb)
Weight
15cm (5.91")
Min. focus dist.
Venus Laowa 4mm F2.8 Fisheye

Venus Laowa 4mm F2.8 Fisheye

4mm
Focal length
f2.8
Aperture
n/a
Filter diameter
45mm (1.77")
Diameter
135g (0.30lb)
Weight
8cm (3.15")
Min. focus dist.
Venus Laowa 50mm F2.8 2X Ultra Macro APO

Venus Laowa 50mm F2.8 2X Ultra Macro APO

50mm
Focal length
f2.8
Aperture
49mm
Filter diameter
54mm (2.13")
Diameter
240g (0.53lb)
Weight
14cm (5.51")
Min. focus dist.
Venus Laowa 7.5mm F2 MFT

Venus Laowa 7.5mm F2 MFT

7mm
Focal length
f2
Aperture
n/a
Filter diameter
50mm (1.97")
Diameter
170g (0.37lb)
Weight
12cm (4.72")
Min. focus dist.
Voigtlander 10.5mm F0.95 Nokton

Voigtlander 10.5mm F0.95 Nokton

10mm
Focal length
f1
Aperture
72mm
Filter diameter
77mm (3.03")
Diameter
586g (1.29lb)
Weight
17cm (6.69")
Min. focus dist.
Voigtlander Nokton 17.5mm F0.95 Aspherical

Voigtlander Nokton 17.5mm F0.95 Aspherical

17mm
Focal length
f1
Aperture
58mm
Filter diameter
63mm (2.48")
Diameter
540g (1.19lb)
Weight
15cm (5.91")
Min. focus dist.
Voigtlander Nokton 25mm F0.95

Voigtlander Nokton 25mm F0.95

25mm
Focal length
f1
Aperture
52mm
Filter diameter
58mm (2.28")
Diameter
410g (0.90lb)
Weight
17cm (6.69")
Min. focus dist.
Voigtlander Nokton 25mm F0.95 Type II

Voigtlander Nokton 25mm F0.95 Type II

25mm
Focal length
f1
Aperture
52mm
Filter diameter
61mm (2.40")
Diameter
435g (0.96lb)
Weight
17cm (6.69")
Min. focus dist.
Voigtlander Nokton 42.5mm F0.95

Voigtlander Nokton 42.5mm F0.95

42mm
Focal length
f1
Aperture
58mm
Filter diameter
64mm (2.52")
Diameter
571g (1.26lb)
Weight
23cm (9.06")
Min. focus dist.

The above list contains the most popular micro four thirds (MFT or M43) lenses available on the market. We wanted to create a list of all micro four thirds lenses and make it easy to filter so that you can quickly find the perfect lens for your photography style.

Table of Contents

Introduction

Micro Four Thirds lenses are interchangeable lenses designed specifically for the Micro Four Thirds camera system. This technology was developed jointly by Olympus and Panasonic in 2008 and has since become a popular choice among photographers and videographers who value the compact size and portability of Micro Four Thirds cameras. Unlike traditional DSLR cameras, Micro Four Thirds cameras do not have a mirror mechanism and instead use an electronic viewfinder. This allows for a smaller, lighter camera body without compromising on image quality. In this article, we will explore the advantages and disadvantages of Micro Four Thirds lenses and cameras, compare them to full-frame cameras, discuss lens compatibility, examine professional use of Micro Four Thirds, and consider the future of this technology.

Definition of Micro Four Thirds lenses

Micro Four Thirds lenses are designed specifically for the Micro Four Thirds camera system, which uses a smaller sensor than full-frame cameras. These lenses have a mount that is different from other camera systems, including DSLRs and mirrorless cameras. Micro Four Thirds cameras are generally smaller and lighter than traditional cameras, which makes them easier to carry around and use for extended periods. The smaller size of Micro Four Thirds cameras also means that lenses can be smaller and lighter, without compromising on image quality. This makes them an attractive option for photographers and videographers who need a portable camera system that can still produce high-quality images and video. The Micro Four Thirds lens mount is an open standard, which means that lenses from different manufacturers can be used interchangeably with Micro Four Thirds cameras. This has led to a wide range of lenses being available for the system, including primes, zooms, and specialty lenses for specific purposes. Overall, Micro Four Thirds lenses are a versatile and convenient option for photographers and videographers who want a smaller camera system without sacrificing image quality or lens choice.

Brief history and development of Micro Four Thirds technology

Micro Four Thirds technology was jointly developed by Olympus and Panasonic in 2008. The system was designed to create a new standard for digital camera systems that would offer the quality and flexibility of traditional DSLRs, but in a smaller and more portable package. The Micro Four Thirds system uses a smaller sensor than traditional DSLRs, which allows for smaller and lighter camera bodies and lenses. This has made the system a popular choice among photographers and videographers who need a compact and portable camera system that still delivers high-quality images and video.

The Micro Four Thirds system has continued to evolve since its initial development. In 2013, Olympus introduced a new camera body with improved autofocus and image stabilization. Panasonic has also released several high-end cameras with advanced features such as 4K video and high-speed continuous shooting. The system has also seen the release of numerous lenses from both Olympus and Panasonic, as well as third-party manufacturers.

Overall, the development of Micro Four Thirds technology has led to a significant shift in the camera industry. Smaller and lighter camera systems have become increasingly popular, and the Micro Four Thirds system has been at the forefront of this trend. As technology continues to improve, it will be interesting to see how the Micro Four Thirds system continues to evolve and adapt to changing market demands.

Advantages of Micro Four Thirds

Micro Four Thirds cameras and lenses offer several advantages over traditional DSLRs and other camera systems. These advantages make Micro Four Thirds an attractive option for photographers and videographers who value portability, lens selection, and advanced features. In this section, we will explore some of the key advantages of Micro Four Thirds, including its smaller size and weight, wide range of lenses, potential for greater depth of field, and use of electronic viewfinders. By the end of this section, you will have a better understanding of the benefits of using Micro Four Thirds cameras and lenses in your photography and videography.

Compact size and portability

One of the biggest advantages of Micro Four Thirds cameras and lenses is their compact size and portability. Compared to traditional DSLRs and other camera systems, Micro Four Thirds cameras and lenses are significantly smaller and lighter, making them easier to carry around and use on the go.

This portability makes Micro Four Thirds cameras and lenses ideal for travel photography, street photography, and other situations where you need to be able to move quickly and easily while carrying your gear. With a Micro Four Thirds camera and a few lightweight lenses, you can capture high-quality images without being weighed down by heavy equipment.

In addition to their small size, Micro Four Thirds cameras and lenses also often offer features such as built-in image stabilization and weather sealing, which can further enhance their usability and versatility in a variety of shooting conditions. Overall, the compact size and portability of Micro Four Thirds cameras and lenses make them a popular choice for photographers and videographers who value mobility and flexibility in their work.

Compatibility with a wide range of lenses

Another advantage of Micro Four Thirds cameras and lenses is their compatibility with a wide range of lenses. While traditional DSLRs and other camera systems often have limited lens options due to proprietary mounts and other factors, Micro Four Thirds cameras and lenses are designed to be compatible with lenses from a variety of manufacturers.

This compatibility allows photographers and videographers to choose from a wide range of lenses to suit their needs, including standard zoom lenses, telephoto lenses, macro lenses, and more. Additionally, many Micro Four Thirds lenses are designed to be compact and lightweight, making them a great match for the small size and portability of Micro Four Thirds cameras.

Another benefit of the wide range of lenses available for Micro Four Thirds cameras is that it allows photographers and videographers to adapt lenses from other camera systems to their Micro Four Thirds camera using simple and affordable adapters. This means that if you already own lenses from another camera system, you can potentially use them with your Micro Four Thirds camera without having to invest in a whole new set of lenses.

Overall, the compatibility of Micro Four Thirds cameras and lenses with a wide range of lenses is a major advantage that allows photographers and videographers to choose from a diverse selection of lenses to suit their needs and preferences.

High-quality image and video performance

Micro Four Thirds cameras and lenses are known for their high-quality image and video performance. While some photographers and videographers may assume that the smaller sensor size of Micro Four Thirds cameras means lower image quality, this is not necessarily the case. In fact, the smaller sensor size can offer some unique advantages, such as the potential for greater depth of field and improved low-light performance.

Many Micro Four Thirds cameras also use advanced image processing algorithms and other technologies to produce high-quality images and videos. For example, some models use sophisticated autofocus systems that can track moving subjects with ease, while others offer advanced features such as focus peaking, which can help you achieve accurate manual focus.

In addition to their still image performance, Micro Four Thirds cameras are also capable of producing high-quality video footage. Many models offer advanced video features such as high frame rates, 4K resolution, and the ability to shoot in log or RAW formats, which can provide greater flexibility in post-production.

Overall, the high-quality image and video performance of Micro Four Thirds cameras and lenses make them a great choice for photographers and videographers who prioritize image quality and creative control in their work.

Lower cost compared to full-frame cameras

One of the most significant advantages of Micro Four Thirds cameras and lenses is their lower cost compared to full-frame cameras. While full-frame cameras have larger sensors that can produce high-quality images, they are often more expensive and can be heavier and bulkier than Micro Four Thirds cameras.

Micro Four Thirds cameras and lenses, on the other hand, are designed to be more affordable and accessible for a wider range of photographers and videographers. This makes them a great choice for beginners, enthusiasts, and professionals on a budget who want to experiment with new techniques or add to their existing camera kit without breaking the bank.

Additionally, the lower cost of Micro Four Thirds cameras and lenses can make them a more practical choice for certain types of photography or videography. For example, if you're a travel photographer or vlogger, the smaller size and lower weight of a Micro Four Thirds camera and lens system can make it easier to carry with you on your adventures.

Of course, it's worth noting that cost isn't the only factor to consider when choosing a camera system. While Micro Four Thirds cameras and lenses are generally more affordable than full-frame cameras, there are still many high-end models available with advanced features and capabilities that can rival those of full-frame systems.

Overall, the lower cost of Micro Four Thirds cameras and lenses compared to full-frame cameras can make them a more accessible and practical choice for a wide range of photographers and videographers, without sacrificing too much in terms of image quality and creative control.

Disadvantages of Micro Four Thirds

While Micro Four Thirds cameras and lenses offer many advantages over other camera systems, they are not without their drawbacks. In this section, we'll take a closer look at some of the potential disadvantages of using a Micro Four Thirds camera system, and explore how they might impact your photography or videography. While these factors may not be deal-breakers for everyone, they are important to consider when making an informed decision about which camera system is right for you.

Smaller sensor size

One of the main disadvantages of Micro Four Thirds cameras is their smaller sensor size. Compared to full-frame cameras, Micro Four Thirds cameras have sensors that are approximately half the size. While this doesn't necessarily mean that they can't produce high-quality images, it does mean that they may not perform as well in certain situations.

For example, a smaller sensor size can result in lower dynamic range and less detail in low-light situations. It can also impact the ability to produce shallow depth-of-field and bokeh effects, which are often used in portrait and wildlife photography. Additionally, the smaller sensor size can lead to a greater depth-of-field, which may not be desirable in certain situations.

However, it's important to note that advancements in sensor technology have helped to close the gap between Micro Four Thirds and full-frame cameras in recent years. Many modern Micro Four Thirds cameras are capable of producing high-quality images, even in challenging lighting conditions. And while the smaller sensor size may not be ideal for all types of photography, it can be an advantage in situations where a greater depth-of-field is desirable.

Overall, while the smaller sensor size of Micro Four Thirds cameras may be a disadvantage in certain situations, it's important to consider how it might impact your specific photography needs before making a decision on which camera system to use.

Potentially lower image quality in low light conditions

Another potential disadvantage of Micro Four Thirds cameras is their lower image quality in low light conditions. Due to the smaller sensor size, Micro Four Thirds cameras may struggle to produce clear and detailed images in situations with limited light. This is because smaller sensors have smaller pixels, which can result in more noise and reduced dynamic range in low light situations.

While advancements in sensor technology have helped to improve this issue, full-frame cameras generally still perform better in low light situations. If you frequently shoot in low light conditions, such as at night or in dimly lit interiors, you may want to consider a full-frame camera or a Micro Four Thirds camera with particularly strong low light performance.

However, it's important to note that many Micro Four Thirds lenses have wide apertures that can help to compensate for the smaller sensor size in low light conditions. Additionally, many Micro Four Thirds cameras have effective image stabilization systems that can allow for longer shutter speeds, which can also help to capture clearer images in low light situations.

Overall, while Micro Four Thirds cameras may have some limitations when it comes to low light performance, there are ways to work around this issue and still produce high-quality images in challenging lighting conditions. It's important to consider how often you shoot in low light situations and whether the potential trade-offs of a Micro Four Thirds camera are worth it for your specific needs.

Limited depth of field compared to full-frame cameras

Another potential disadvantage of Micro Four Thirds cameras is their limited depth of field compared to full-frame cameras. Due to their smaller sensor size, Micro Four Thirds cameras generally have a greater depth of field, meaning that more of the image will be in focus. While this can be an advantage in some situations, such as landscape photography, it can be a disadvantage in others, such as portrait photography.

Shallow depth of field and bokeh effects are often used in portrait photography to separate the subject from the background and create a more aesthetically pleasing image. However, due to the smaller sensor size, achieving this effect can be more challenging with Micro Four Thirds cameras. It may require the use of wider aperture lenses or closer subject-to-camera distances, which can limit composition options.

That being said, many Micro Four Thirds lenses have wide maximum apertures that can help to achieve shallow depth of field and bokeh effects. Additionally, advancements in lens design and image processing have helped to improve the overall image quality of Micro Four Thirds cameras, even with the limited depth of field.

Ultimately, the limited depth of field of Micro Four Thirds cameras may not be a significant issue for all photographers. It's important to consider your specific needs and shooting style when deciding whether a Micro Four Thirds camera is right for you.

Limited availability of specialized lenses

While Micro Four Thirds cameras offer compatibility with a wide range of lenses, there is a limited availability of specialized lenses compared to other camera systems. This is due to the fact that Micro Four Thirds is a relatively new technology compared to other camera systems, and because it has a smaller market share.

Specialized lenses, such as tilt-shift lenses, macro lenses, and long telephoto lenses, can be harder to find in the Micro Four Thirds mount. This may be a disadvantage for photographers who require these types of lenses for their work. However, it's worth noting that Micro Four Thirds cameras can still be used with third-party lenses, and many manufacturers are developing new lenses for the system.

Additionally, Micro Four Thirds cameras have a crop factor of 2x, meaning that lenses designed for other camera systems may not provide the same focal length on a Micro Four Thirds camera. This can limit the options for adapting lenses from other camera systems to Micro Four Thirds, and may require the use of specialized adapters or lenses designed specifically for the system.

Overall, the limited availability of specialized lenses is a potential disadvantage of Micro Four Thirds cameras. However, as the system continues to grow in popularity, more lenses are likely to become available, and third-party manufacturers may fill the gaps in the meantime.

Micro Four Thirds vs Full Frame

One of the most debated topics in photography is the comparison between Micro Four Thirds and full-frame cameras. Both systems have their advantages and disadvantages, and choosing the right one depends on a variety of factors. In this section, we'll explore the differences between Micro Four Thirds and full-frame cameras, and help you decide which one is best suited for your needs.

Comparison of sensor size, image quality, and depth of field

One of the main differences between Micro Four Thirds and full-frame cameras is the size of their sensors. Full-frame cameras have larger sensors, typically measuring 36mm x 24mm, while Micro Four Thirds cameras have sensors that measure approximately 17mm x 13mm. This means that full-frame cameras can capture more light and produce images with shallower depth of field, while Micro Four Thirds cameras may struggle in low-light conditions and have a larger depth of field.

In terms of image quality, full-frame cameras have a larger sensor surface area, which allows them to capture more detail and produce images with less noise at higher ISO settings. Micro Four Thirds cameras, on the other hand, may produce images with more noise at higher ISO settings, but can still produce high-quality images in good lighting conditions.

When it comes to depth of field, full-frame cameras have a shallower depth of field due to their larger sensors. This means that when shooting at the same aperture and focal length, a full-frame camera will produce an image with a more blurred background than a Micro Four Thirds camera. This can be an advantage for portrait and landscape photographers who want to create a shallow depth of field effect, but it may not be as important for other types of photography.

Overall, the choice between Micro Four Thirds and full-frame cameras depends on the specific needs of the photographer. While full-frame cameras may offer better image quality and shallower depth of field, they are also typically larger and more expensive than Micro Four Thirds cameras. On the other hand, Micro Four Thirds cameras offer a more compact and portable option, with a wider range of lenses available at a lower cost.

Considerations for choosing between Micro Four Thirds and full-frame cameras

Choosing between Micro Four Thirds and full-frame cameras can be a difficult decision, as each type of camera has its own advantages and disadvantages. Here are some key considerations to keep in mind when choosing between the two:

  • Image quality: If image quality is your top priority and you don't mind the larger size and cost of full-frame cameras, then a full-frame camera may be the better choice for you. However, if you're looking for a more compact and portable option that still offers good image quality, a Micro Four Thirds camera may be a better fit.

  • Depth of field: If creating a shallow depth of field effect is important to you, then a full-frame camera is likely to be a better option, as its larger sensor allows for shallower depth of field. However, if you don't mind a larger depth of field or you mostly shoot with a wide angle lens, then a Micro Four Thirds camera can still produce great results.

  • Lens selection: Full-frame cameras typically have a wider selection of lenses available, particularly for specialized needs like telephoto or macro photography. However, Micro Four Thirds cameras have a wide selection of lenses available as well, and often at a lower cost.

  • Budget: Full-frame cameras are generally more expensive than Micro Four Thirds cameras, so budget is an important consideration. If you're just starting out and don't want to spend a lot of money on equipment, a Micro Four Thirds camera may be a better option.

  • Shooting style: Your shooting style and the type of photography you do can also play a role in your decision. If you need a camera that's easy to carry around and can be used in a variety of situations, a Micro Four Thirds camera may be a better fit. If you primarily shoot in a studio or controlled environment, a full-frame camera may be a better choice.

  • Ultimately, the decision between Micro Four Thirds and full-frame cameras depends on your individual needs and preferences. By considering the factors above, you can make an informed decision about which type of camera is right for you.

Micro Four Thirds Lens Compatibility

In this chapter, we will discuss the compatibility of Micro Four Thirds lenses with different cameras. Micro Four Thirds lenses are designed to work with Micro Four Thirds cameras, but there are also options for using these lenses with other camera systems. We will explore the various ways in which Micro Four Thirds lenses can be used, and the benefits and limitations of each option.

Explanation of Micro Four Thirds lens mount and compatibility with other cameras

The Micro Four Thirds lens mount is a standard developed by Olympus and Panasonic for their mirrorless interchangeable lens cameras. The mount features a 19.25mm flange distance and a 38mm throat diameter, which allows for smaller and more compact lens designs compared to larger sensor systems.

While Micro Four Thirds lenses are designed to work specifically with Micro Four Thirds cameras, there are also options for using these lenses with other camera systems. One way to do this is by using an adapter that allows you to mount Micro Four Thirds lenses onto a camera with a different lens mount.

There are various types of adapters available on the market, including manual adapters and electronic adapters. Manual adapters do not have any electrical connections and rely on the user to manually adjust focus and aperture on the lens. Electronic adapters, on the other hand, allow for electronic communication between the lens and camera body, enabling features such as autofocus and aperture control.

It's important to note that when using an adapter, there may be limitations in terms of functionality and image quality. For example, autofocus may not work as well with an adapter as it would with a native lens, and there may be some loss of image quality due to the use of an adapter. Additionally, certain lens features may not be available when using an adapter, such as image stabilization.

It's also worth mentioning that not all Micro Four Thirds lenses are compatible with all adapters, so it's important to do your research before making a purchase. Some adapters may only work with specific lenses or camera models, so be sure to check compatibility before making a purchase.

Compatibility with other lens mounts through adaptors

One of the benefits of the Micro Four Thirds system is its compatibility with other lens mounts through the use of adapters. This means that Micro Four Thirds users have access to a vast array of lenses from different manufacturers, giving them more options when it comes to selecting lenses for their camera.

Adapters are available for various lens mounts, including Canon EF, Nikon F, Sony E, and Leica M, among others. With an adapter, you can mount lenses from these other systems onto your Micro Four Thirds camera and take advantage of their unique characteristics.

One important thing to note is that when using an adapter, the lens may not function exactly the same as it would on a camera with a native mount. For example, autofocus may not be as fast or accurate, and some features may not work at all. Additionally, the smaller sensor size of Micro Four Thirds cameras may result in a crop factor, which affects the field of view and effective focal length of the lens.

Despite these limitations, the ability to use other lenses through adapters is a significant advantage of the Micro Four Thirds system. It allows users to experiment with different lenses and expand their creative possibilities, all while taking advantage of the smaller and more portable Micro Four Thirds camera body.

Professional Use of Micro Four Thirds

While Micro Four Thirds cameras were initially developed for enthusiasts and hobbyists, they have since gained popularity among professional photographers and videographers. In this chapter, we'll explore the ways in which Micro Four Thirds cameras and lenses are used in professional settings and the advantages they offer over other systems. We'll also look at some examples of professionals who have chosen to use Micro Four Thirds for their work.

Examples of professional photographers and videographers using Micro Four Thirds cameras

Micro Four Thirds cameras have been gaining popularity among professional photographers and videographers, especially those who need a compact and lightweight system that is easy to carry around. Some examples of professionals who have chosen to use Micro Four Thirds cameras for their work include:

  • Ross Grieve - a commercial and portrait photographer based in the UK who uses the Olympus OM-D E-M1 Mark II for his work.

  • Lukasz Palka - a street photographer and workshop leader based in Tokyo who uses the Panasonic Lumix GX8 and GX9 for his work.

  • Giulio Di Sturco - a documentary photographer who uses the Panasonic Lumix GH5 and GH5S for his work.

  • Philip Bloom - a filmmaker and cinematographer who uses the Panasonic Lumix GH5 and GH5S for his work.

  • Mattias Burling - a photographer and YouTuber who uses the Olympus PEN-F and Panasonic Lumix GX9 for his work.

These professionals have chosen Micro Four Thirds cameras for various reasons, such as the compact size, high-quality image and video performance, and the ability to use a wide range of lenses. The system offers a lot of versatility and flexibility, making it an ideal choice for professionals who need to be able to adapt quickly to different shooting situations.

Advantages and limitations of Micro Four Thirds for professional use

Micro Four Thirds cameras and lenses are not just for amateur photographers and hobbyists. Professional photographers and videographers have also adopted the system due to its compact size, portability, and versatility. In this chapter, we will explore some of the advantages and limitations of Micro Four Thirds for professional use.

Advantages:

  • Portability: Micro Four Thirds cameras and lenses are much smaller and lighter than their full-frame counterparts. This makes them easier to carry and maneuver, especially when shooting on location or in challenging environments.

  • Cost: Micro Four Thirds cameras and lenses are generally less expensive than full-frame cameras and lenses. This makes them an attractive option for professionals who are looking to keep their equipment costs down without sacrificing quality.

  • Lens selection: While Micro Four Thirds may not have as wide a selection of lenses as some other systems, there are still many high-quality lenses available. And with the use of adaptors, photographers and videographers can also use lenses from other systems, further increasing their options.

  • Image stabilization: Many Micro Four Thirds cameras and lenses have built-in image stabilization, which can be a huge advantage when shooting in low light or when using long lenses.

Limitations:

  • Smaller sensor: The smaller sensor size of Micro Four Thirds cameras can limit their low light performance and their ability to produce shallow depth of field.

  • Limited lens selection: While there are many high-quality lenses available for Micro Four Thirds, there may not be as wide a selection as some other systems, especially when it comes to specialized lenses like tilt-shift or ultra-wide angle lenses.

  • Autofocus performance: While autofocus performance has improved significantly in recent years, some photographers and videographers may still find that Micro Four Thirds cameras struggle to keep up with fast-moving subjects, especially in low light.

Overall, Micro Four Thirds can be a great option for professionals who prioritize portability, cost-effectiveness, and versatility. While it may not be the best choice for every type of photography or videography, it certainly has its place in the professional market.

Future of Micro Four Thirds

The world of photography and videography is constantly evolving, and as technology advances, new opportunities and challenges arise. This is particularly true in the realm of camera systems, where new innovations and advancements are constantly changing the landscape of what is possible. As one of the most popular mirrorless camera systems on the market today, Micro Four Thirds has quickly become a favorite among both amateur and professional photographers and videographers alike. But with so much competition in the market, what does the future hold for Micro Four Thirds? In this chapter, we will explore some of the latest developments and trends in the world of Micro Four Thirds, and examine what the future may hold for this groundbreaking camera system.

Predictions for the future of Micro Four Thirds technology and market

Micro Four Thirds has come a long way since its inception, and there are many reasons to be excited about its future. As technology continues to advance, it is likely that we will see even more improvements in image quality, autofocus performance, and video capabilities. Additionally, with the rise of new camera systems like the Sony Alpha series, there is an increasing need for smaller, more portable camera options that still offer high-quality imaging capabilities.

One area where Micro Four Thirds has shown particular promise is in the world of video production. With features like high-quality 4K video, advanced autofocus, and in-camera stabilization, many videographers have already started to adopt Micro Four Thirds as their go-to camera system. As video continues to play an increasingly important role in both personal and professional settings, it is likely that we will see even more advancements in this area in the coming years.

Another area where Micro Four Thirds is likely to continue to grow is in its lens lineup. With an ever-expanding range of high-quality lenses available, including several from top-tier manufacturers like Panasonic and Olympus, there are few shooting situations where a Micro Four Thirds camera won't be able to deliver excellent results. And with the continued growth of the Micro Four Thirds market, it is likely that we will see even more third-party manufacturers enter the fray, offering even more options for photographers and videographers.

Of course, like any technology, there are also potential challenges and hurdles that Micro Four Thirds will need to overcome in order to continue to thrive. One potential concern is the growing popularity of full-frame mirrorless cameras, which offer larger sensors and potentially better image quality. However, as we have already discussed, there are many advantages to the smaller sensor size of Micro Four Thirds, and it is likely that there will always be a market for cameras that prioritize portability and convenience over ultimate image quality.

Overall, the future of Micro Four Thirds looks bright. With its compact size, excellent lens selection, and strong video capabilities, it is a camera system that is well-suited to meet the needs of photographers and videographers alike. And with ongoing advancements in technology, it is likely that we will see even more exciting developments in the years to come.

Potential for continued development and innovation in the Micro Four Thirds system

The Micro Four Thirds system has already undergone significant development and innovation since its introduction, with new camera bodies, lenses, and accessories regularly being released. However, there is still much potential for continued development and improvement in the system.

One area of potential development is in the area of sensor technology. While the current Micro Four Thirds sensors are capable of producing high-quality images, there is always room for improvement in terms of dynamic range, noise reduction, and low-light performance. It is likely that future iterations of the system will feature improved sensors that offer even better image quality.

Another area of potential development is in the area of autofocus technology. While Micro Four Thirds cameras are already known for their fast and accurate autofocus, there is still room for improvement. Future cameras could feature even more advanced autofocus systems that offer even faster and more accurate focusing.

Finally, there is potential for continued innovation in the area of lenses and accessories. As the popularity of the Micro Four Thirds system continues to grow, it is likely that we will see more and more third-party manufacturers developing lenses and accessories specifically for the system. This could lead to a wider variety of high-quality lenses and accessories being available for Micro Four Thirds cameras, further enhancing their versatility and appeal.

Overall, the future of the Micro Four Thirds system looks bright, with plenty of potential for continued development and innovation. As technology continues to advance, we can expect to see even more impressive cameras and lenses that take full advantage of the unique benefits of the Micro Four Thirds system.

Mirrorless vs Micro Four Thirds

The rise of mirrorless cameras has brought a new level of competition to the photography market, challenging the dominance of traditional DSLR cameras. Among the various mirrorless systems available, Micro Four Thirds has emerged as a popular choice, offering a compact and versatile alternative to both DSLRs and other mirrorless systems. However, there are still many questions and debates surrounding the difference between mirrorless cameras and the Micro Four Thirds system. This chapter will explore the differences between mirrorless and Micro Four Thirds, and discuss the pros and cons of each system.

Explanation of the difference between mirrorless cameras and Micro Four Thirds

Mirrorless cameras are a type of camera that do not have a reflex mirror, which is a component of traditional DSLR cameras that reflects light up to an optical viewfinder. Instead, mirrorless cameras use a digital display or electronic viewfinder to show the image being captured by the camera's sensor. Micro Four Thirds, on the other hand, refers specifically to a type of mirrorless camera system developed by Panasonic and Olympus that utilizes a specific lens mount and sensor size.

While all Micro Four Thirds cameras are mirrorless, not all mirrorless cameras are Micro Four Thirds. Other camera manufacturers have developed their own mirrorless camera systems, such as Sony's E-mount and Canon's EOS R, which have their own unique lens mounts and sensor sizes.

It's worth noting that while mirrorless cameras were initially considered less capable than DSLRs due to their smaller size and technological limitations, advancements in mirrorless camera technology have made them a viable option for many photographers and videographers. Additionally, the smaller size and weight of mirrorless cameras have made them increasingly popular for travel and outdoor photography.

Comparison of the advantages and disadvantages of each system

Comparison of the advantages and disadvantages of mirrorless cameras and Micro Four Thirds is important in understanding which system is best for a particular user.

Mirrorless cameras, which include full-frame and APS-C sensor models, have become increasingly popular in recent years due to their compact size, fast autofocus, and high-quality image and video performance. They are also more versatile than Micro Four Thirds cameras, as they can accommodate a wider range of lenses from different manufacturers.

On the other hand, Micro Four Thirds cameras are specifically designed to be small and portable, which makes them an ideal choice for travel and street photography. They offer a more affordable entry point into the world of interchangeable lens cameras, as well as a wider range of lenses and accessories that are specifically optimized for the smaller sensor size. Additionally, Micro Four Thirds cameras tend to have longer battery life and better video features than many mirrorless cameras.

When it comes to image quality, full-frame mirrorless cameras have a significant advantage over Micro Four Thirds cameras in terms of low-light performance and depth of field. However, Micro Four Thirds cameras have improved significantly in recent years, and are capable of producing high-quality images in a wide range of lighting conditions.

Ultimately, the choice between mirrorless and Micro Four Thirds cameras depends on the individual user's needs and preferences. Those who prioritize image quality and low-light performance may prefer a full-frame mirrorless camera, while those who value portability and versatility may prefer a Micro Four Thirds camera.

Conclusion

In this final chapter, we will summarize the key points discussed throughout the article and provide some concluding thoughts on Micro Four Thirds technology. We will consider the main advantages and disadvantages of this system, its compatibility with different lenses, and its suitability for professional use. We will also reflect on the potential future of Micro Four Thirds and how it compares to other camera systems, such as full-frame and mirrorless. By the end of this chapter, readers should have a clear understanding of the strengths and limitations of Micro Four Thirds and whether it is the right choice for their photography needs.

Summary of the key points discussed in the article

In summary, this article has explored the topic of Micro Four Thirds cameras and lenses. We started by defining what Micro Four Thirds technology is, followed by a brief history of its development. We then examined the advantages of using Micro Four Thirds, including the compact size and portability, compatibility with a wide range of lenses, and high-quality image and video performance, as well as the lower cost compared to full-frame cameras.

On the other hand, we also discussed the disadvantages of Micro Four Thirds, such as the smaller sensor size, potentially lower image quality in low light conditions, limited depth of field compared to full-frame cameras, and the limited availability of specialized lenses. We then compared Micro Four Thirds with full-frame cameras, as well as mirrorless cameras in general.

Furthermore, we explored the topic of Micro Four Thirds lens compatibility, including an explanation of the Micro Four Thirds lens mount and compatibility with other cameras, as well as compatibility with other lens mounts through adaptors. We also discussed the use of Micro Four Thirds cameras in professional settings and the potential for continued development and innovation in the Micro Four Thirds system.

Finally, we summarized the key points discussed in the article and provided readers with a comprehensive understanding of Micro Four Thirds cameras and lenses. Whether or not Micro Four Thirds is the right choice for an individual user will depend on a variety of factors, including their personal preferences, shooting style, and budget.

Final thoughts and recommendations for those considering Micro Four Thirds cameras and lenses

In conclusion, Micro Four Thirds cameras and lenses offer many advantages for photographers and videographers who prioritize portability and versatility without sacrificing quality. The system has come a long way since its introduction and continues to improve with new technology and innovation. However, there are also some limitations and considerations to keep in mind before investing in a Micro Four Thirds setup.

For those who prioritize compact size, portability, and compatibility with a wide range of lenses, Micro Four Thirds is an excellent choice. The system offers high-quality image and video performance, often at a lower cost compared to full-frame cameras. However, it is important to keep in mind that the smaller sensor size may limit image quality in low light conditions and depth of field control compared to full-frame cameras. Additionally, the availability of specialized lenses may be more limited compared to other systems.

Ultimately, the choice between Micro Four Thirds and other camera systems depends on individual needs and preferences. If portability and versatility are top priorities, Micro Four Thirds is a great choice. If ultimate image quality and depth of field control are more important, full-frame cameras may be the better option.

Regardless of the system chosen, it is important to invest in high-quality lenses and to take the time to learn and practice with the equipment. With proper technique and a good eye, amazing photographs and videos can be created with any camera system.

Overall, Micro Four Thirds is a powerful system that offers a lot of flexibility and versatility. It may not be the best choice for every photographer or videographer, but for those who prioritize portability and versatility without sacrificing quality, it is definitely worth considering.

Frequently asked questions

What micro four thirds lenses should I buy?

Deciding which lens to buy is primarily a question of what you want to shoot. We discuss some of the most popular use cases below and give you an idea of what to look for and how to choose the perfect lens to achieve your goals.

Sports / action-packed photography

If you shoot a lot of sports and action-packed activities you will need a telephoto (zoom) lens to make sure you can come as close to the action as possible. If you focus on indoor sports you want to look for a lens with a wide aperture. This allows for shallow depth of field and enough light to make sure the images you capture are not underexposed and you can use a fast enough shutter speed so that even with lots of movement of your subject that images still come out crystal clear.

Portrait photography

Portrait photography is possible with a lot of different lenses. Generally speaking you want to look for a lens with a wide aperture to make sure you get a nice shallow depth of field meaning that the background is nicely blurred and your subject is perfectly sharp. You can achieve the same effect using a narrow aperture but a longer focal length. This means you will have to move further from your subject which is not always what you want. The longer the focal length the wider the face looks on the final image. Therefore a shorter focal length and a wider aperture will make portraits more flattering. All the above makes wide aperture, short focal length prime lenses the perfect choice for portrait photography.

Street photography

Street photography lenses are always a reason for debate as some people swear by 35 mm equivalent focal length while others use longer focal length lenses to shoot more discreetly. For micro four thirds lenses you need to factor in the crop factor of 2x meaning that a 17.5 mm focal length will give you about the same field of view as a 35 mm lens on a full frame camera. If you are just getting into street photography we highly recommend a similar focal length and if you should get the feeling that you need a different, you can always get a lens that matches the requirements for your very own personal style that you will develop over time.

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